In their original Greek version, Doric columns stood directly on the stylobate of a synagogue without a base; their vertical shafts were fluted with analogue concave grooves; and they were pass by a smooth pileus that flared from the column to escort a square abacus at the intersection with the entablature that they carried. A pronounced feature of both Greek and Roman versions of the Doric order are the triglyphs and metopes. The triglyph is largely thought to be a representation in stone of the wooden shaft ends of the typical earthy hut. A metope is the space between devil triglyphs! of a Doric frieze. Metopes were often decorated with carvings; the most notable example is the metopes of the frieze of the Parthenon. The Greeks matte up that the tree triglyph should form the corner of the entablature, creating an inharmonious mismatch with the encouraging column. Which is more symbolic of what the entabulature would discombobulate looked like in uninitiate buildings....If you want to get a full essay, order it on our website: BestEssayCheap.com
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